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Posts from the ‘Reviews’ Category

“Colin O’Sullivan writes gloriously”

April 16, 2018

BetimesBooksNow

In Tom Russell’s song about Lightnin’ Hopkins, ‘Scars on His Ankles,” he writes of Lightnin’s scars on his ankles where the chain from the chain gang cut his skin. In Colin O’Sullivan’s jewel of a first novel, Killarney Blues, winner of the “Prix Mystere de la critique,” in France, the main characters also have scars, but they are the emotional ones, ones that were thought to be buried, ones that lie scratching deep beneath the surface of their skin, never to be forgotten.

Thirty year old Bernard Dunphy is a jarvey by trade, driving a horse-carriage, that carries the many tourists, who flock to the lovely Irish town of Killarney each year. Pulled by his old worn-out, dying, but gallant horse, Ninny, Bernard is considered by most a town weirdo. Gap-toothed, overweight, and grubby in his old tobacco and sweat stained black coat, that he wears on even the warmest of days. Walking alone through the town, large headphones in place, listening and mumbling along with the likes of blues-man Son House, as his raw, passionate, stomping sound tears up out of his body and soul, filling Bernard’s ears. “That rhythm is the beat of Bernard’s heart.”

He knows all the old blues-men, from Muddy Waters to Howling Wolf, Sleepy Ma Rainey, John Estes, and Robert Johnson. They are his heroes, and Bernard cannot get enough of them. In his small room alone at home with his guitar and voice, he records blues songs, then gives them to his childhood crush, and love of his life, the beautiful Marian, though she is less than pleased about it. In fact, her two childhood friends, Cathy and Mags, delight in teasing her relentlessly about poor old goofy Bernard’s ongoing devotion to her.

Bernard’s other childhood friend is the handsome, popular footballer, heavy drinker and ladies man, Jack Moriarty. Jack is supposed to be Mags steady, but he is spending a lot of bed time with her best friend Cathy behind Marian’s back. Bernard and Jack share a dark secret that remains a scar on their souls from a terrible night back when they were little boys, young and innocent. A terrible night that also scared Bernard’s father John Dunfey, who also loved the blues and taught Bernard to play, and his mother, Brigid, who smothers Bernard with love and devotion, since her husband John Dunfey’s questionable death by drowning in the lake. They only have each other, a home that once held lovely memories, but also a never-mentioned shameful secret. A secret that during this green, glorious summer will finally scratch through their skins, and alter all their lives.

The green and blue lake beauty of Killarney, Ireland, runs through this wonderfully written novel, and the blues are the glue that holds it all together. Colin O’Sullivan writes gloriously. Hope, frailty, sadness, joy, resilience and surprise. The novel jumps back and forth in time and character viewpoints, but never once does it alter in any way the grand flow of this lyrical and compelling story as it moves forward. The reader carried along steadily, and then hurriedly, as the pages fly by a bit faster, eyes reading in a hurry to find out what happens next, until finally the last paragraph, and a large smile spreads across the face.

Killarney Blues is what the pleasure of reading a totally enjoyable novel is all about.

–Marvin Minkler, Modern First Editions

Original review: https://www.facebook.com/MarvinMinklerModernFirstEditions/posts/1498995423542236

More praise for Sam Hawken’s LA FRONTERA five years after its release

April 3, 2018

BetimesBooksNow

If, like us, you value long-sellers over best-sellers and content over marketing, this book might be for you:

Book Noir review, published on March 30, 2018

Every time I read one of Hawken’s novels I enjoy it immensely; he is a consummate storyteller with a real knack for getting to the heart of the matter. La Frontera is a powerful novel because is deals with the lives of real people in tough situations. That has been a feature of Hawken’s writing since his first novel, The Dead Women of Juarez, a blistering thriller based on the murders of 1500 women in Ciudad Juarez during the drugs wars on the border. This was an important novel but Hawken has gone on to write much better thrillers (from a stylistic point of view). I don’t think anybody writes about La Frontera with the same depth of knowledge of the borderlands (north and south). Hawken is a Texan, and he brings the many stories of real people to life with compassion and honesty. In this case it is Ana, Luis and Marisol. That depth of characterisation sets his novels apart from a lot of thrillers and it’s totally engrossing. The people we meet on these pages are nuanced and complicated. Hawken seems to be able to make ordinary detail seem fascinating and once he introduces a character you will want to know their story. Most importantly Hawken knows how to tell a story with verve and depth; La Frontera is fast paced, absorbing and exciting – it is one of his best and that is saying something.

Full review here: https://nudge-book.com/blog/2018/03/la-frontera-by-sam-hawken/

Richard Kalich acknowledged as an notable postmodernist author

March 14, 2018

BetimesBooksNow

Do you know the difference between Modernism and Postmodernism in literature?

This Pediaa.com article gives a clear definition of each movement and, importantly, mentions Richard Kalich, author of The Nihilesthete, Charlie P., and Penthouse F, published as Central Park West Trilogy by Betimes Books, as one of the notable postmodernist writers, along with “household” names like Nabokov, Eco, Auster, and Vonneghut:

What is Postmodernism

Postmodernism was a reaction against modernism, brought about by the disillusionment followed by the Second world war. Postmodernism is characterized by the deliberate use of earlier styles and conventions, a mixing of different artistic styles and media, and a general distrust of theories. It can be seen as a radical break from modernism when we look at some unique features of postmodernism. Some of these features include,

Irony and parody: Postmodernism works are often characterized by irony and satire. They demonstrate playful, mischievous vibe and a love of satirical humor.Pastiche: Copying ideas and styles from various authors and combining them to make a new style.

Metafiction: Making the readers aware that of the fictional nature of the text they are reading.

Intertextuality: Acknowledging other texts and referring to them in a text.

Faction: Mixing of actual events and fictional events without mentioning what is real and what is fictional.

Paranoia: The distrust in the system and even the distrust of the self.

Some notable writers in postmodernism include  Vladimir Nabokov,  Umberto Eco, John Hawkes,  RICHARD KALICH, Giannina Braschi, Kurt Vonnegut, William Gaddis,  John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow,  Don DeLillo, Ana Lydia Vega, Jachym Topol and Paul Auster.

Full article here: http://pediaa.com/difference-between-modernism-and-postmodernism-in-literature/

Colin O’Sullivan’s “KILLARNEY BLUES” is on RTL!

January 22, 2018

BetimesBooksNow

Colin O’Sullivan‘s novel KILLARNEY BLUES (French translation, Éditions Rivages, Sept. 2017) is on the RTL radio (C’est à lire – To be read)!

“This first Noir novel from Colin O’Sullivan is magnificent, very finely written, and profoundly sad. To be savoured while drinking a Guinness and listening to some old blues, by Muddy Waters or Bessie Smith. And if rain knocks on the window glass, like in Killarney, it’s even better.”

C’est à lire : “Killarney Blues” de Colin O’Sullivan

Bernard Poirette, Journaliste RTL

À Killarney, charmante bourgade irlandaise, Bernard Dunphy passe pour l’idiot du village. Il n’a pas trente ans, s’habille hiver comme été d’un lourd manteau de laine et conduit d’une main sûre sa calèche à touristes tirée par sa vieille jument Ninny.

Bernard a toujours le sourire. Il est légèrement autiste. Ça ne l’empêche pas d’avoir deux passions dans la vie : le blues et… Marian, la sublime Marian, qu’il courtise à sa façon, en lui envoyant des cassettes de ses chanteurs préférés. Bernard, c’est en quelque sorte la face lumineuse de Killarney.

Pour le reste, la petite ville a essentiellement du sombre à offrir. La violence perverse de Jack Moriarty, une brute épaisse, sur les terrains de sport comme dans le lit des filles. Parlons des filles, justement : Mags et Cathy, l’officielle et la maitresse de Jack, qui noient leur temps libre dans des pintes de Guinness en attendant le prince charmant. Qui bien sûr ne viendra pas ; rebuté peut-être par les 250 jours de pluie annuels sur Killarney. Rebuté sans doute aussi par les fantômes qui hantent la petite ville… à commencer par celui de John, volontairement noyé dans le lac et dont les lourds et terribles secrets remontent à la surface, comme des cadavres gonflés. C’est tout cela, l’innocence de Bernard et la laideur du monde alentour qui vont se percuter, l’espace de quelques jours, à Killarney, comté de Kerry.

Ce premier roman noir de Colin O’Sullivan est magnifique, très finement écrit et infiniment triste. A déguster en buvant une Guinness et en écoutant un vieux blues de Muddy Waters ou Bessie Smith. Et si, comme à Killarney, la pluie frappe les vitres au dehors, c’est encore mieux.

A review of REACH THE SHINING RIVER by the winner of our Christmas Prize Draw

January 16, 2018

BetimesBooksNow

‘It was Wardell found the body.’

Kansas City, 1935. Emmett Watson, a county prosecutor of Irish decent, is married to Fay, a high society woman, who is the daughter of one of the movers and shakers in the city, and unhappy in her marriage. At a closed-door meeting with his father-in-law, and other high rollers, Emmett is asked to investigate the brutal murder of a local black, jazz piano player, and he soon finds himself taking on a corrupt political machine, mobsters and cops on the pad.

All around Emmett, is fear and silence surrounding the murder, and blatant racial hatred, that puts his life and career at risk.

One of the most engaging characters in the novel is Arlene Gray, the jazz
singer whose voice can still the room in a smoky Kansas City nightclub.
Arlene, a woman of tremendous grace, and vulnerability, is the mother of Wardell, the young boy who found the bullet-ridden body on a bank by the river. She also was the murdered Eddie Sloan’s lover. She is determined to
protect he son at all cost, and her anguish at losing Eddie, is a deeply moving part of the novel.

There is a bluesy, jazzy ebb and flow throughout the novel. Swirling and dipping in language and imagery. While reading it I often had music by Billie Holiday, Bud Powell, Lester Young, and Bill “Count” Basie playing
across the room. The music supplementing the rhythm and phrasing of the writer’s words. The richness of the many characters, and the honest writing that cut right to the quick.

It is always a pleasure to discover a novel and a writer whose vibrant prose, and dialogue, make me reluctant to turn the final page. Reach the Shining River is such a novel.”

–Marvin Minkler, Modern First Editions

Link to the original review on Facebook: here.

The Success of the French Edition of “Killarney Blues”

November 2, 2017

BetimesBooksNow

“Carried by a genuine writing talent, Killarney Blues is a Noir novel full of melancholy and unfulfilled dreams with a surprising glimmer of hope at the end. Without the slightest naivety. A revelation.”  —Le Soir

“A cathartic novel that ultimately creates positive emotions, like the blues can do. Poignant.” —booknode.com ­­

“A luminous novel that chases away the darkness… All its characters are at a crossroads and they will either meet the Devil himself or find a way towards a new life.” —Appuyez sur la touche lecture

“Moving, tragic, masterly crafted.” —Lea Touch

“In a style that is sometimes luminous, sometimes direct, sometimes poetic, Colin O’Sullivan traces his narrative path, creates incredibly vivid and appealing characters and brings the reader, to the 12-bar beat of the blues, towards a heart-breaking denouement.” —Le blog du Polar de Velda

“O’Sullivan’s beautiful writing transcends a rather banal story and gives it tragic depth.”  —Encore du Noir

“Colin O’Sullivan’s Killarney Blues brings us to a paradoxical Ireland, half-way between mythological timelessness and modernity. …A novel full of deep melancholy and beautiful blues.”   —actualitte.com

“A great, great book.” —unwalkers.com

“A hard, poignant novel of great humanity… remarkably well written…” —Rolling Stone

 

 

 

Review of “Killarney Blues” in Le Soir

October 2, 2017

BetimesBooksNow

Voilà à quoi ressemble Killarney à l’aube de ce siècle nouveau. Il y a des bagels. Et c’est le genre d’endroit dans lequel elles viennent prendre un café : un bistrot élégant, bien éclairé, minimaliste, avec des tableaux de bon goût sur les murs, des décorations végétales spectrales en forme de bâtons sur les tables et des fauteuils qui vous aspirent, des fauteuils qui vous vaudront des problèmes de vertèbres à terme mais qui sont paradisiaques le temps de ce bref répit, alors que les sacs de shopping lacèrent atrocement les bras fins. »

Colin O’ Sullivan, inconnu au bataillon avant ce premier roman (on lui doit paraît-il de nombreuses nouvelles et des recueils de poésie), a un ton, un style et un univers. Il n’a par contre pas grand-chose en commun avec les innombrables auteurs de polar et de thriller actuels.

Situé à Killarney, ville irlandaise touristique, son Killarney Blues ne compte que deux flics (en uniforme) venus arrêter un type dans un bar. La scène se passe à la page 231 d’un ouvrage qui en compte 270. Elle se termine à la page 234. C’est dire que l’intrigue policière n’est pas au centre de cet ouvrage qui vous happe pourtant dès les premières pages pour ne plus vous lâcher.

[“This book grabs you at the first page and won’t let you put it down.”]

Car Colin O’ Sullivan fait naître une galerie de personnages d’une formidable justesse auxquels on s’attache instantanément.

[“Colin O’Sullivan creates a gallery of characters so true and real that you get attached to them immediately.”]

Au centre de ce petit monde, on trouve Bernard Dunphy, grand amateur de blues et jarvey de profession. En clair, Bernard promène des touristes dans la ville à bord de sa calèche tirée par la jument Ninny. Bernard est un drôle de type, solitaire, un peu inadapté au monde, puant la sueur et portant toujours un gros manteau noir.

Autour de Bernard, il y a sa mère, dure et forte, qui s’occupe de tout pour son grand fils un peu décalé. Et qui porte en elle le souvenir de son mari, noyé dans le lac tout proche. Il y a aussi la belle Marian, dont Bernard est amoureux depuis toujours et qui semble l’ignorer. Elle passe son temps avec ses deux copines, Mags et Cathy, à faire du shopping, à s’envoyer des vannes et à se murger tous les week-ends dans leurs bars préférés tout en s’inquiétant de n’avoir pas encore trouvé l’homme de leur vie à près de 30 ans.

Un récit choral

Il y a encore Jack Moriarty, que Bernard considère comme son seul pote mais qui ne voit pas tout à fait les choses de cette façon. Jack le séducteur, Jack le joueur de foot gaélique incapable de canaliser sa fureur, Jack qui traîne aussi ses fantômes du passé. Et puis il y a Linda la serveuse qui se mue en chanteuse à la nuit tombée, Laura la touriste américaine et son frère, amateur de blues lui aussi…

Tout un petit monde que l’auteur met en scène et suit entre passé et présent, bondissant de l’un à l’autre, tissant un récit choral où les dialogues se réduisent à la portion congrue au profit d’une écriture qui embrasse tous les aspects de l’intrigue, emporte tout sur son passage, tend la main au lecteur pour l’emporter au cœur de ces vies banales et pourtant porteuses d’une multitude de petits et de grands drames.

Au fil des 270 pages, chacun se découvre petit à petit. Tout ce qui semblait évident dans les premiers chapitres prend de nouvelles couleurs, de nouvelles directions, de nouvelles raisons d’être. Le passé resurgit sans cesse et vient le plus souvent pourrir le présent. Heureusement pour Bernard, il y a le blues. Cette musique qui l’habite littéralement, sa passion pour Robert Johnson, Leadbelly, B.B. King et tant d’autres. Dans une Irlande où les clichés culturels croisent sans cesse un nouveau mode de vie mondialisé, Bernard va petit à petit se révéler, ainsi que tous ceux qui l’entourent. Pour le meilleur ou pour le pire.

Porté par un véritable souffle d’écrivain, Killarney Blues est un roman noir, plein de mélancolie et de rêves inaboutis où surgit malgré tout une étonnante lueur d’espoir. Sans la moindre naïveté. Une révélation.

[“Carried by a genuine writing talent, Killarney Blues is a Noir novel full of melancholy and unfulfilled dreams with a surprising glimmer of hope at the end. Without the slightest naivety. A revelation.”]

Roman noir. Killarney Blues, Colin 0’Sullivan ; Tr. de l’anglais par L. Bouton-Kelly, Rivages, 272 p., 21 €, e-book 14,99 €

http://plus.lesoir.be/116429/article/2017-09-29/killarney-blues-une-lueur-despoir-dans-un-ocean-de-blues

 

Killarney Blues – Colin O’Sullivan

September 20, 2017

BetimesBooksNow

A wonderful review of the French edition of Colin O’Sullivan’s KILLARNEY BLUES!

Mille (et une) lectures de Maeve

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Traduit par Ludivine Bouton-Kelly

Bernard est jarvey dans la petite ville de Killarney, en Irlande, dans le comté du Kerry. Si vous connaissez Killarney, vous avez sûrement rencontré ces conducteurs de calèche qui promènent toute la journée les nombreux touristes. Pourtant Bernard est mis au ban de la bourgade : il est considéré un peu comme l’idiot du village. On découvre qu’il aurait peut-être une forme d’autisme Asperger (mais cela reste une supposition). Cet homme a une passion : le blues. Dès qu’il peut, il gratte sa guitare et chante (mais chez lui). Il est incollable sur tous les bluesmen américains. Une passion que lui a transmise son père, décédé. Bernard est amoureux depuis son adolescence de Marian, à qui il envoie régulièrement des cassettes de ses enregistrements.

Quand s’ouvre le récit, Bernard se fait rosser par des hommes, à la sortie d’un pub. On ne sait pas pourquoi. Des…

View original post 837 more words

Craig McDonald’s THE RUNNING KIND is “a raucous ride”

June 8, 2017

BetimesBooksNow

Temporary Knucksline

Book review: Craig McDonald’s The Running Kind

Amici:

The Running Kind by Craig McDonald … crime novelist Hector Lassiter is reunited with an old mate from prior adventures in the Lassiter series, Jimmy Hanrahan. It’s 1950 and too close to Christmas when Hector and Jimmy (a cop) are huddled indoors from an Ohio blizzard and a young girl approaches Hector with a plea for help. Her mom and aunt are in danger because one of them is a Cleveland mafia boss’s wife and the other his girlfriend (comare—pronouced Goomarr if you’re from the East Coast).

Hector’s been having a few with Jimmy, but there’s no way he’ll deny the young girl’s request for help. A battle quickly ensues, which is the start of a cross country adventure that involves several notables, to include Elliot Ness and J. Edgar Hoover (and his G-men), still ambivalent about this so-called mafia thing (which is about to hit the television airwaves). There’s also an appearance by a young Rod Serling, and by adventure’s end, old Blue eyes himself, accompanied by the woman he couldn’t wait to own (and never would), Ava Gardner. Frank is there with a message from Momo (Sam Giancana).

As it turns out, the mom and comare have something on the mob boss and are looking to turn witness, which is a tough sell when there are so many in law enforcement enthusiastically on the mob’s payroll. It’s one treachery after another, until it becomes the safer play to head out of town. It is in Missouri where Hector, who’s already had a little fling with one of the two women (the mother or the girlfriend?), and winds up falling for the mother of the mother, as did this reader, has to draw battle lines.

It’s a raucous ride wherein Hector is eventually matched up against a hitman with a scary nickname and mad tracking abilities. Seems everybody is running in this terrific read, and one can only hope Hector can make it back alive for the life he’s often dreamed of, and with a woman he’s always hoped he’d fine.

It’s a start to finish thriller featuring honorable men in a dishonorable world of corruption. Hardboiled and ready to burst, with a wonderful touch of Americana and celebrities. One more from a wonderful series—a hell of a read.

Charlie Stella, June 3, 2017

Happy 10th Anniversary, Hector!

June 1, 2017

BetimesBooksNow

Ten years, ten novels… And a graphic novel coming out this Fall. Hector Lassiter  has been through good and bad times. But tough times don’t last. Tough men do!

Happy 10th anniversary to Hector Lassiter and his creator, Craig McDonald, and many happy returns!

Craig McDonald signing review copies of HEAD GAMES, the first Hector Lassiter novel to be published, at Book Expo America on the 1st of June 2007

Click here to view the Hector Lassiter Series

and HERE

TO WIN A SIGNED COPY OF A HECTOR LASSITER NOVEL

HECTOR LASSITER – Created by Craig McDonald

Pulp novelist and Black Mask contributor HECTOR LASSITER is more manly than you.

Or the United States Marine Corps, for that matter.

Head Games: The Graphic novel (coming out Oct. 2017 from First Second Books / Macmillan US)

In [these] romping, stomping, wickedly imaginative historical crime novels […] by Craig El Gavilan” McDonald, Lassiter, a combo of Ernest Hemingway and Rambo, manages to romp all over the twentieth century.

Along the way, he runs into – and generally kicks the ass of – serial killers, Mexican banditos, crooked cops, hurricanes, misguided revolutionaries, the CIA, assorted tyrants and thugs, and various participants in the Spanish Civil War. He also bumps into everyone from Orson Welles, Rita Hayworth, Salvador Dali, John Huston and John Dos Passos to Papa himself, and lives to tell the tales.

It’s a tough job, but someone’s gotta do it. And Hector is just that man, a hard-living, hard-loving, hard-drinking, hard-fighting and hard-writing son of a bitch who lives by the credo of writing what you know. And sticking his nose wherever the Hell he damn well wants. […] Trust me  the Hector books are a hoot.

Respectfully submitted by Kevin Burton Smith

Click here to see the original article

 

Review of DEATH IN THE FACE: “The Last Man Standing”

May 18, 2017

BetimesBooksNow

Review by Marvin Minkler: @MarvinMinklerModernFirstEditions

Death in the Face

“Quite alone, yet somehow quite happy, Hector drove on through the sweet-smelling autumn rain, back to his home and family.”

This one true sentence, from the ending of the newly finished novel, Death in the Face, by Craig McDonald, an Edgar and Anthony Awards Finalist, brought to a close my nine-novel journey through the mid-20th Century world, with Hector Lassiter, the man who “writes what he lives and lives what he writes.”

Death in the Face takes place in 1963 and finds Hector at 62 years of age. He is starting to feel that the modern world is passing him by and that he might be slowing down a step or two. He has lost some dear friends and lovers, and, at night, he is haunted by realistic dreams and visions of his life’s love, Brinke Devlin. Brinke’s tragic death still tears at him.

Hector is invited to come along with his old and slowly dying friend, British author, and former spy, Ian Fleming, to the land of the rising sun. Ian is finding late success with his bestselling James Bond series of novels, which have just begun to be made into movies, starring Sean Connery.

Long ago, just after World War II, Ian and Hector, who were intelligence agents at the time, had tried to get their hands on a deadly biological weapon, developed by the Japanese, that could spell doom for whatever country it was used on. While in Japan this time, Ian is determined to find it again, and Hector is along for the ride, with the hope of recovering some previously unknown writings by Brinke Devlin, which are also supposedly there.

As usual with a Hector Lassiter novel, there is plenty of action, deadly villains, a fetchingly beautiful spy, with her eye and gun on Hector, James Bond-type gadgets, intrigue, twists and turns, sexy romps, tragedy, loss, and many reflective moments where the sheer poetry of Craig McDonald’s writing stops the reader in their tracks. There are places where a passage is so moving that it must be read all over again.

I admit to feeling a bit sad about finishing my last Hector Lassiter novel. The books have taken me on a journey all the way from Paris in the 1920s, to Key West in the 30s, Germany and France during World War II, 1950s clashes with the Cleveland mob, assassins in the South-west, and Hollywood, Nashville, and finally Hawaii.

I have met historical characters that have come to life fully fleshed, due to the author’s genuine depiction and understanding of them. Ernest and Mary Hemingway, Gertrude Stein, Sylvia Beach, Orson Wells, Eliot Ness, Robert Shaw, Yukio Mishima, Mitsuharu Kaneko, Lester Dent, Rod Serling, and George W. and Prescott Bush, and many more.

Thanks, Craig McDonald, for these wonderfully entertaining and deeply felt novels. I feel Hector Lassiter is the best on-going character ever created in fiction. Truly the last man standing. There is not enough praise that I can give you for your mighty creation and your masterful writing.

Marvin Minkler, Modern First Editions, May 2017

The full Hector Lassiter Series is available to buy on Amazon here

Three Chords and the Truth – Review

March 26, 2017

BetimesBooksNow

The Venetian Vase

Hector Lassiter is one of the most compelling literary creations of recent years– a crime novelist who ‘writes what he lives and lives what he writes’. Lassiter was born January 1, 1900, and he witnesses some of the most tumultuous events of the twentieth century. Whether he finds himself at the heart of a murder mystery with the Lost Generation in 1920s Paris, or dodging the bombs and bullets with Ernest Hemingway during the Spanish Civil War, Lassiter is never far away from violence and intrigue. Three Chords and the Truth is the ninth and final novel in the Lassiter series, and, needless to say,  it was eagerly anticipated by the many fans of the series.

Craig McDonald is the author behind the author, the creator of Hector Lassiter and the writer of five more novels outside the Lassiter series. McDonald began his career as a journalist and still works in that…

View original post 449 more words

“Three Chords & The Truth Rings True Like a Finely Tuned Guitar”

December 19, 2016

BetimesBooksNow

A wonderful review by a true connaisseur:

5.0 out of 5 stars Three Chords & The Truth Rings True Like a Finely Tuned Guitar, December 18, 2016

This review is from: Three Chords & The Truth: A Hector Lassiter novel (Volume 10) (Paperback)

The first Hector Lassiter novel I read was the Edgar-nominated debut from Craig McDonald, Head Games. History is the author’s canvas and it is vast, colorful and detailed. From Paris in the 1920’s with Ernest Hemingway to Memphis in 1958, where this exciting and latest novel begins. Craig McDonald gives us a rich, authentic take on the country legends of our time who changed the way the music was then. Along with high tone babes, racial tensions, vengeful hooligans, and a chilling plan being hatched, Hector and his Chevy Bel Air could get blown off the road before it all is over.
Although I initially began this one to savor it some, after a few pages in, it was a flat-out race through the pages. Superb writing, swift plotting, and as usual, interesting real life figures from the country scene then, along with some of Hector’s old friends, and enemies.
I can’t recommend it enough. Three Chords & The Truth rings true like a finely tuned guitar.

An unmissable book at an unbeatable price

August 9, 2016

BetimesBooksNow

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Bring New York on holidays with you with this August promotion of Richard Kalich‘s Central Park West Trilogy : it’s only £0.99 on Amazon UK until the end of the month!

***

– So we are going to do this like a courtroom drama, or an interrogation?

– Yes. We are. We are indeed.

– Why?

– Because most of the book is done in that style.

–  I see. Was the book impressive?

– Yes, very impressive. Mr. Kalich is a great writer.

– And he appears in the book too?

– Yes, if it really is him, if you know what I mean…you can call the book postmodern, or that he uses meta-narratives or…RK on his terrace with view-page-001

– That all sounds a bit confusing.

– In theory yes, but it’s a very entertaining book. Says a lot about writing. And the creative process. It’s playful, but not flippant. We’re dealing with a serious artist here.

– Oh, really?

***

Read the full review of Penthouse F, one of the novels in Central Park West Trilogy, on Colin O’Sullivan’s blog.

***

Cover image and art © Bernard Piga

First endorsement for Patricia Ketola’s debut novel

June 10, 2016

BetimesBooksNow

DIRTYx2700“From Orson Welles’ F Is For Fake to Alan Rudolph’s The Moderns, I’ve always adored works of fiction centered on the concept of art forgery. I’m also a goner for strong narrative voice.

Patricia Ketola’s clever and sexy debut novel is an audacious genre mash-up, elevated and enlivened by the salty, up-from-the-heels voice of narrator Elizabeth Martel, a sort of lusty spin on Patricia Highsmith’s magnetic sociopath Tom Ripley. Dirty Pictures heralds the arrival of a clever, gutsy new voice that fearlessly swings for the fences.”  —Craig McDonald, Edgar & Anthony Awards Finalist

Publication date: August 16, 2016

Available for pre-order: viewBook.at/DirtyPictures 

Five-star review of DEATH IN THE FACE by Craig McDonald

February 15, 2016

BetimesBooksNow

Death in the Face (Hector Lassiter Novel #9) by Craig McDonald

I loved traveling with author Hector Lassiter, his fellow friend Ian Fleming, and his devastating companion along the way, Haven Branch. Felt like I was right there with them on the planes and trains and in the restaurants, cafés and clubs. Combining writing, spying, and secret lives was perfectly executed and totally believable. Returning to Japan to claim his dead wife’s final writings, Hector is caught up in a conspiracy he can’t avoid. Once more the unlikely hero is called on to save the world, and by god, he’ll do it or die trying. He’s not quite a James Bond type, but he’s cut from a similar cloth. Smart, witty, resourceful and a lady’s man, even in his 60s, you have to admire his style. Great dialogue, good plot, and just enough neurotic angst to sound like a real author. Plenty of fast-paced action, dangerous villains, good whiskey, and humorous characters. I haven’t read the other Hector Lassiter tomes, but I think I’ll have to get started on them now. With Ian Fleming as his muse, Craig McDonald gives us more of the Bond flavor in this period novel without being a parody. Loved it, can’t believe now that I’ve found him, there’s only one more novel to come. But then, I’ve got all the previous ones to enjoy.
~Review by Sandy Penny, Founder, SweetMysteryBooks.com – Five Stars

 

DEATH IN THE FACE on a “Holiday Wish List” in BookList

December 21, 2015

BetimesBooksNow

Booklist Feature Article

She Reads: Holiday Wish Lists

Stover, Kaite Mediatore (author)

“Dear Santa,

I’m not going to bore you with an annual report of my behavior—virtuous or villainous. Suffice to say I was a very good reader, and I’d like some more, please.

For my holiday reading, I hope I find these books under my tree stacked neatly in their own TBR pile. I resolve to read them all before I write you again next December. I am certain reading these books will make me a better person.

……

Death in the FaceThere is one novel I’ve been waiting for that I’ll devour immediately, the latest in Craig McDonald’s Hector Lassiter series, Death in the Face. Lassiter and Ian Fleming team up for one last international caper to “live what they write and write what they live.”And if you can deliver an audio version narrated by Tom Stechshulte, I’ll never ask for another thing again ever.”

Read the full article here

Publishers Weekly review of DEATH IN THE FACE

December 21, 2015

BetimesBooksNow

Death in the Face“Set in 1962, McDonald’s fine ninth Hector Lassiter novel (after Print the Legend) takes the 62-year-old writer and an old friend of his, 54-year-old Ian Fleming (the creator of James Bond), to Japan. Ostensibly, Fleming is to do research for an Asian-set 007 novel, and Lassiter is covering Fleming’s trip for Playboy magazine. In fact, the pair are on a mission to secure the secret plans made by the Japanese in WWII for a devastating biological weapon. Both men formerly performed intelligence duties, including an attempt, during Operation Flea, to recover the plans immediately after the war. McDonald pays frequent homage to Fleming and his novels, while Lassiter, like an aging James Bond, foils assassins and follows a trail that leads from Japan to Turkey; he even uses a Bond-like gadget to great effect. A brief coda sets the stage for the next and, unfortunately, last Lassiter novel, Three Chords and the Truth.”

 

Read the review in Publishers Weekly: http://www.publishersweekly.com/978-0-9934331-0-8

DEATH IN THE FACE on the “Favorite Crime Fiction of 2015” list in The Rap Sheet

December 14, 2015

BetimesBooksNow

Death in the FaceDeath in the Face, by Craig McDonald (Betimes):
Those of us who inhale the Hector Lassiter series (starting with 2007’s Edgar-nominated Head Games) enjoyed a big year in 2014, so it was fair to expect that 2015 might be a bit on the quiet side. Happily, this was not the case, as McDonald released a new and unexpected entry in the series late in the year. Death in the Face finds Lassiter on assignment for Playboy magazine, shadowing Ian Fleming’s research trip to Japan while the latter scouts locations for his next James Bond adventure, You Only Live Twice. Lassiter and Fleming were fighting comrades working for their respective intelligence services during World War II, and we soon learn that this literary junket has a more serious dual purpose: to bring an end to a Japanese biological weapon, Operation Flea, that’s still very potent and capable of decimating English and American agriculture. Lassiter also has his private motive for coming back to Japan–he’s heard a rumor that there’s a lost manuscript written by his late and beloved wife, Brinke Devlin, whose ghost has been lurking throughout all of the Lassiter books. In this, the ninth outing featuring the writer “who lives what he writes and writes what he lives,” Lassiter hasn’t lost a step. Rubbing elbows not only with Fleming, but also with actors Sean Connery and Robert Shaw, and Japanese author-poet Yukio Mishima, Lassiter dodges bullets and explosions, and the set piece here involving a pool of crocodiles is alone worth the price of admission. McDonald’s Lassiter stories represent a sorely needed throwback to ultra-hard-boiled adventure tales, and while the series is winding down (we can expect only one more novel and a collection of short stories, both due in 2016), the entire series hangs together as a multi-volume biography of the greatest fictional pulp writer ever created.

Borderlandx2700REAs a side note, 2015 also saw the release of the Craig McDonald-curated Borderland Noir (Betimes), an anthology of crime stories featuring a roster of writers that included Ken Bruen, James Sallis, and the chronically underrated Manuel Ramos, among others. It’s a terrific addition to the location-themed collections we’ve seen published over the last few years.

Link to the review: Favorite Crime Fiction of 2015. Part III

 

 

5* GoodReads review of BORDERLAND NOIR

November 23, 2015

BetimesBooksNow

Borderlandx2700RE“Noir & crime fans, BORDERLAND NOIR will drag you over the border & steep you in sweat, beer, fear, revenge, smoke, jalapeños and blood. Short stories, novel excerpts, thoughtful pondering on the drug war and its multifaceted aspects (and casualties), and some stellar essays. An eye-opening read about life in the shady world of the border.”

Paul McNamee

 

See review on GoodReads.com

More about the book here

Available for purchase here