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Posts tagged ‘speculative fiction’

“Novels are all about commitment” – Colin O’Sullivan’s profile in Books Ireland Magazine

September 12, 2018

BetimesBooksNow

Colin O’Sullivan, author of Killarney Blues (Winner of the Prix Mystère de la Critique 2018 in France), The Starved Lover Sings and The Dark Manual, features prominently in the latest issue of Books Ireland Magazine.

Nostalgic or futuristic, even visionary, his novels focus on characters “grappling with loss, the past and their lack of purpose”, in a turbulent political environment. But O’Sullivan firmly believes that “we have enough inside us to withstand, to cope, and eventually to surpass. We are still here, after all, or I should say, despite all.”

Meet a writer who “has an understanding of the power of words, their placing, their specific meaning” and “reflects the current malaise and modern preoccupations”*, “sends language out on a gleeful spree, exuberant, defiant”**, and who is “one of the finest storytellers out there, a lyrical master of the written word”***.

Books Ir & Colins books

* From a Book Noir review by Paul Burke

** Endorsement by writer Niall Griffiths

*** From a review by Marvin Minkler, Modern First Editions

 

 

 

Is your home robot cute?

May 17, 2018

BetimesBooksNow

Another short excerpt from Colin O’Sullivan’s new novel, THE DARK MANUAL, for your enjoyment:

“Where’s your ‘bot?”

“It’s shut down for the evening. I’m sick to death of listening to the fucking thing.”

“Oh, bring him in. I want to see him.”

Susie hates the personal pronoun. Calling it a him. Zen was a he. Masa was a he. Her father and grandfather, now they were hes and hims. Cars were forever referred to as she by men, and ships and boats too. Maybe the he could actually be refreshing, and feminists the world over could rejoice together in the knowledge that not all machines in servitude would be referred to as female. There’s a thought. There’s probably even an article in that.

“Command system on!”

There is silence for a moment; Mixxy in particular is holding her breath in anticipation. They don’t have to wait long.

“Coming, Miss Susie!”

Sonny glides into the living room.

“He does call you Miss Susie! That’s so fucking cute.”

Looking down upon its silver frame and stiff comportment, Mixxy gasps with delight. Susie frowns in habitual scorn.

“Hi, I’m Mixxy. Nice to meet you.”

Sonny extends its hand like a well-mannered child; Susie wouldn’t be surprised if it suddenly sprouted impeccably combed hair with a cow’s lick to boot.

“Nice to meet you, Miss Mixxy.”

It is able to differentiate between male and female voices, so Mixxy gets her accordant Miss. Susie hopes that it will get overused to the point where Mixxy will look for the nearest available hatchet.

“Wow, you are so handsome, little guy. Much more handsome than mine.”

“Don’t they all look exactly the same?” asks Susie.

Susie had seen the factory, and the scores of them lined up there. She’d seen the catalogues. Her husband had designed the bloody things, for God’s sake, so she should know a wee bit about them. They were all identical. There was nothing handsome about hers.

“When you get to know them they start to show their own personality. Even their faces start to change. Don’t you think? Can you not see it?”

“No. I can’t.”

“This one…already. He seems so full of life. And joy. And a right little charmer too.”

Susie is still thinking about hatchets, pickaxes, or what was that weapon the young boys used to talk about when they were young and playing at war games? What was it called? A bazooka! That was it. Bazooka! Susie wants a bloody bazooka! It may be not the greatest thing ever invented, but surely, it is the greatest-sounding word.

The homebot’s face looks up to directly engage with the house guest.

“Would you like anything to drink, Miss Mixxy.”

“And so well-programmed! Or does he just see into my soul? Your husband did such a good job with this one. Yes, Mr. Sonny. I will have something to drink.”

“Make two cups of coffee, Sonny. We’ve got work to do.”

The Dark Manual is available for readers in the UK and Ireland, as well as on all Amazon sites except USA and Canada
viewbook.at/TheDarkManual

 

 

Excerpt from “The Dark Manual” by Colin O’Sullivan

May 2, 2018

BetimesBooksNow

From Chapter 3:

Susie suddenly lashes out, sending the cereal bowl flying from the counter out into kitchen space. It smashes to pieces against a side cupboard and lays silent on the floor in thick white shards.

“Turn it off,” she shouts.

“Yes, Miss Susie.”

The grey woman on the grey beach vanishes and there is nothing but the silence of a woman and her mechanical charge in a lonely kitchen, once more.

The homebot moves tentatively towards the broken bowl. It looks up at Susie and waits a second before softly inquiring:

“Shall I clean the floor, Miss Susie?”

Susie stares at him. Even if she wanted to hide her disgust she’s not sure she could manage it.

“You don’t even know, do you?”

“Know what, madam?”

Susie laughs. Madam! That’s a good one – Masa programmed that word in too, no doubt. Was that meant to impress? Who was it meant to impress? It all seemed like such a sick prank now.

“Don’t madam me. Your Miss Susies are annoying enough. If Masa thought that was some kind of joke…to have you all polite and…you don’t even know what happened, do you? Last night, again you said: Mr. Masa recommends you take some herbal tea. Remember that? In your shitty, horrible voice. The present tense. You haven’t figured it out, have you? That the present tense is no longer viable. What you should have said was: Mr. Masa used to recommend you take herbal tea. Used to. When he was alive. When he breathed and laughed and sang bad karaoke in bad bars. Before he was blown to smithereens. But how could you know that? How could you know?”

Susie’s eyes are malevolent now and she feels them flaming red in her sockets. They sting and burn: late nights, scalding tears, the sourness of spirit and no clear target of recrimination.

“You haven’t a clue. Or, if you do…no, you can’t process it at all, can you? I mean, a mere mortal such as I, a stinking bloody human can hardly process it, so how could a thing, without blood…a thing…even…”

The words are choking her and she can no longer spew them out. She has exhausted herself. The confusion of her thoughts. Could it know? But how could it know if Masa was not there to program…or, has it been programmed in such a way that all news feeds become part of its knowing? When a dog’s master doesn’t come home from the hospital, does it know that it is dead? Does a dog know about death? Or simply that its master is absent? Does a homebot know that its master is no more? And if it does, does it care? The breakfast milk feels like it is curdling inside her, her guts clenching, her blood pressure is high and rising.

Sonny bends to the mess on the floor. With an outstretched hand and with dexterous digits it goes to pick up a shard of ceramic but is halted by Susie’s command.

“Leave it. What difference does it make?”

The homebot freezes in its half-bent position. How fast it is to respond to her every utterance. How quick its every perception. She flings her spoon, hitting it on the head and making a pinging sound, but the homebot shows no reaction, not an ounce of emotion.

“Doesn’t even hurt, does it? How the fuck could it?” Susie says, breathlessly.

Sonny rises to its full height.

“Miss Susie, I…”

“I’m going to be late. Bring the car round.”

coming out on May 15

e-book available for pre-order

Video extract from “The Starved Lover Sings”

May 25, 2017

BetimesBooksNow

This novel is O’Sullivan’s second, after Killarney Blues, published by Betimes Books in 2013. It takes place in a world transformed by disaster: earthquakes, tsunamis, floods, nationalist and corporate mergers, roaming wolves. The Starved Lover Sings is a fever dream of a world at the end of its rope.

Our protagonist, and in many chapters our narrator, is Tombo, a PE teacher and soccer referee.

In this excerpt, our antagonist is one of the two teenage girls, called Ferocity and Velocity, or Tink and Tank, or Weal and Woe, or Tooth and Nail, or Bado and Sado — whatever suits them at the moment — who develop an obsession with Tombo and decide he’s “the one”…