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Posts tagged ‘Toros & Torsos’

Craig McDonald about the challenge of writing a series

November 29, 2016

BetimesBooksNow

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 Not the end of something?

By Craig McDonald

In autumn 2007, HEAD GAMES was published by Ben Leroy and Bleak House books.

It went on to earn best first novel nominations for the Edgar Award, the Anthony, and the Sélection du prix polar Saint-Maur en Poche in France, among others.

It also launched a series of ten novels featuring protagonist Hector Lassiter, pulp magazine writer, crime novelist and sometimes screenwriter.

Signing ARCs at Book Expo America 2007

Signing ARCs at Book Expo America 2007

Betimes Books has just published the climactic novel in the series, THREE CHORDS & THE TRUTH, set in Nashville about a year after HEAD GAMES, and bringing back several characters from that first novel.

CHORDS was always envisioned as a kind of HEAD GAMES sequel and definitive circle-closer.

I actually wrote the “last” Lassiter novel many, many years ago, much of it in situ in Nashville, Tennessee. I interviewed various songwriters and sat in on sound-checks to gather source material and atmosphere.

But mostly, I focused on putting a capstone on the Hector Lassiter saga.

Few are the mystery series in my experience that round out with the fulfillment of a charted character arc or larger story.

Most series simply trail off into oblivion because of soft sales, or the death of their author.

If the series is particularly popular, when the creator dies, some other writer is brought in to keep churning out inferior, never quite satisfying continuations, again toward no planned end.

There are very few exceptions to this rule of the never-ending series.

Most of those that occur still don’t typically deliver a unified story arc carried to a planned climax built toward across the span of the series.

More often, some poor author gets a dire diagnosis and so races the clock to close out their series before they too are “closed out.”

Others elect to do something mirroring Agatha Christie’s strategy of writing a series closer well ahead of time, then holding it in reserve for posthumous publication.

(Though in the Dame’s case, even killing off her character didn’t stop others from publishing further Poirot novels following the appearance of CURTAIN.)

I’ve long acknowledged James Sallis’ cycle of Lew Griffin novels as the inspiration for the Lassiter series.

Dublin reading, August 2016

Dublin reading, August 2016

Sallis wrote an interconnected and finite series of novels that together tell a larger story and build to a final revelation regarding his central protagonist.

With the Lassiter series, I wanted to do something similar: Construct a series toward a known end, allowing each book to stand alone, more or less, but in sum telling a much larger story regarding the character of Hector Lassiter and his eventual fate.

It was an audacious or perhaps even foolish goal to write a whole series ahead of any contract commitments. Certainly, given what I now know of the vagaries and failings of much of the publishing industry, it was a very naïve and hopeful thing for a baseline cynic like myself to undertake.

Yet I wrote first drafts of the novels in the series in the space of about three months per title, back-to-back, working toward the known conclusion of this last, Nashville-set series-closer.

The later entries in the series were mostly well into composition before the second novel, TOROS & TORSOS, was even contracted for publication by Bleak House Books.

Please let me run a highlighter over that point: Most of the series, including the last volume, was virtually written before the second book reached the galley stage some time in the summer of 2008.

There was never any guarantee the books would all see print. There was every chance the project might stall around book four or five and the rest of the novels would remain in limbo.

The first translation: French (La tête de Pancho Villa, Editions Belfond, 2009)

The first translation: French (“La tête de Pancho Villa”, Editions Belfond, 2009)

But the series has hung in there, collecting an international audience through translations in Spanish, French, Italian, Russian, Korean and Mongolian, among others.

In English language form, the Lassiter series currently encompasses four different publishers.

HEAD GAMES was also quickly optioned for graphic novel adaptation by First Second Books, prior to its Bleak House publication. I wrote the script for that project over a weekend nearly ten years ago (the art came much more slowly).

Next October, nearly ten years to the day that HEAD GAMES the novel was released, HEAD GAMES the graphic novel will at last appear.

A short story collection will also follow next year from Betimes Books, which now prints uniform editions of the entire series.

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Paris, March 2011

The short story collection will feature a never-before-published Lassiter novella set in the 1920s that roughly approaches the word count found in HEAD GAMES.

So while THREE CHORDS does represent the climax of the Hector Lassiter series as originally set forth, the Lassiter saga still has some moves left.

Hector has opened remarkable doors for me and provided international travel opportunities for my family.

He is forever there somewhere in my head, sometimes whispering in my ear. When you write this much about a single character for so long, you actually begin to see the world through his eyes.

Telling this storyteller’s story has resulted in years of wonderful correspondence and conversation with readers of all ages, nationalities and interests who’ve followed his saga.

I very much look forward to hearing the reactions to this “last” Hector Lassiter novel.

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 Contact us for a free electronic review copy!

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Adopt a Minotaur this Christmas

November 22, 2016

BetimesBooksNow

“If all the ways I have been along were marked on a map and joined up with a line, it might represent a minotaur.”     Pablo Picasso

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“Minotaur” by Man Ray

Craig McDonald’s novel Toros & Torsos is based on a theory that the famous Los Angeles “Black Dahlia” murders were inspired by the Surrealist masterpieces of the 1930s. McDonald took this idea even further and created a murder masterpiece that suggested a conspiracy of serial Surrealist killers. A particular inspiration was Man Ray’s “Minotaur” in which the pose of the subject was eerily similar to the body of the Black Dahlia.

The surrealists were always captivated by the myth of the Minotaur. The beast trapped in the maze became the symbol of the surrealist subject lost in the labyrinth of his own subconscious desires. The artists embraced the beast for its representation of the self-reflexive nature of monstrosity that comes from the Minotaur being created from both human and animal.

"Dora and the Minotaur" by Pablo Picasso

“Dora and the Minotaur” by Pablo Picasso

Although never a subscriber to the movement, Picasso was nevertheless interested in the Minotaur, and the animal is increasingly present in his work in the 1930s.

For Picasso, the Minotaur acts as the keeper of taboo sexual secrets and also the subconscious fulfilment of them.

Scroll down to read an excerpt from Toros & Torsos in which the myth of the Minotaur is described.

A limited edition hard cover copy, signed and fingerprinted by the author, would make the perfect Christmas gift for any crime & mystery lover.
Available to order HERE for €40.

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Hector lit a cigarette and said, “Bishop, I’ve been looking over Le Minotaure some more. What exactly is it with the bulls…the Minotaur thing? What’s the significance to you surrealists?”

Bishop pulled out one of his own cigarettes and then fastened it to the end of a long, black cigarette holder. Hector lit the little man’s cigarette with his Zippo and then lit another for Rachel. Hem, a nonsmoker, scooted his chair around a little closer to Harriet, who also wasn’t smoking.

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The Minotaur continues to fascinate artists: A sculpture by Jivko. Exhibition Place Saint-Sulpice, Paris, Oct. 2016

“Partly, I think it’s just a preoccupation of our times, driven in no small part by this man, here.” Bishop gestured at Hem. “First with The Sun Also Rises, and now with Death in the Afternoon. Hem has made us all fascinated with the myth and ritual of the bullfight. And many of us in the surrealist movement are Spainophiles and aficionados in our own rights. But it is also the myth of the Minotaur that fascinates us and made us choose the Minotaur to serve as our kind of surrealist emblem.”

Hector said, “I’m just an old boy from Southern Texas. My Greek mythology is, well, it ain’t great. I mean, I know it involves something about a maze, or something, and some fella going into to kill the half-human, half-bull who lived at the center, but…” He shrugged. “But that’s as far as I go.”

Bishop said, “Harriet here is quite an avid folklorist. You tell Hector, dear.”

She smiled and blushed, her gaze darting around the table. It was apparent the little woman was intimidated by her story-teller company, but she pressed ahead:

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“Theseus and the Minotaur”, ca. 550 BC

“The story goes that Poseidon, the sea god, gifted the king of Crete — Minos — with a white bull. Minos was supposed to sacrifice the white bull, and when he didn’t, Poseidon retaliated by making the king’s wife, Pasiphaë, fall in love with and actually couple with the bull. Their offspring was a hideous creature, the Minotaur, a giant human hybrid with a bull’s head. Minos then hired Daedalus to construct the labyrinth to contain the Minotaur. Once a decade, Minos sent seven men into the labyrinth to their deaths — and to be food for the beast inside. Finally, a hero, Theseus, volunteered to be one of the seven sent to their deaths. Theseus was in love with Minos’ daughter, Ariadne. He planned to kill the Minotaur. Ariadne provided Theseus with a long spool of thread, so that after he had killed the monster, Theseus could follow the thread back out of the labyrinth.”

Hector blew a smoke ring and said, “Things went to plan, and then this Greek boy and the king’s daughter, Ariadne, they lived happily ever after?”

“Oh no,” Harriet Blair said, shaking her head. “Theseus abandoned Ariadne soon after. He was off on his next adventure.”

“In that, it sounds like one of my books,” Hector said. “But I see now — the myth, I mean. It’s a psychological minefield.”

From Toros & Torsos, Craig McDonald, © 2008

The Hector Lassiter book trailers

November 2, 2016

BetimesBooksNow

Dear readers,

You may not know it, but one of Craig McDonald’s many talents is producing spectacular video trailers for his books.

Discover the trailer for the Hector Lassiter series and meet “the man who writes what he lives and lives what he writes”: Tender, violent, intelligent, unwise, wanderer, fool for love, righteous, amoral, brave, elusive, arrogant, magnanimous, lonely, convivial,  self-absorbed, great-hearted Hector Lassiter.

On Craig McDonald’s blog, you will find trailers for each individual title,

including the forthcoming THREE CHORDS & THE TRUTH:

http://craigmcdonaldbooks.blogspot.ie/2016/10/hector-lassiter-book-trailer-countdown.html

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Craig McDonald’s reading in Dublin as if you were there

August 4, 2016

BetimesBooksNow

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Thanks to all who attended last night’s reading in Dublin!

For those who weren’t there, here is a recording of the event: https://www.periscope.tv/w/1ypKdPmjArRKW

If you want to read the excerpt that Craig read last night, the first chapter of Head Games, click here:

viewBook.at/HeadGames_McDonald

And here is Craig McDonald‘s speech and a few pictures of the venue and the event.

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“One character, ten novels.

Please allow me to introduce you to Hector Lassiter, author, screenwriter and adventurer.

# 2. HECTOR

He’s my primary protagonist and a guy who’s high-jacked an obscene amount of my personal head space.

At base, Hector’s a man always in pursuit of strong sensations and experiences he can lay down on the printed page.

IMAG2318For the purposes of tonight’s reading, I ask you to imagine it’s 1957. We’re sitting in a drinking establishment, not in Dublin, but rather in some dusty, sweltering cantina hard up against the Rio Grande as we call it in The States. 

The Mexican’s call the same body of water that divides our countries the Rio Bravo. You see, on my dark side of the Atlantic, even the rivers have aliases.

Tonight you’ll be riding shotgun in THE classic American car: a Fifty-Seven, Chevrolet convertible Bel Air. We’re on the road with Hector and his sidekick for this particular escapade that I’ll be reading from, a young and aspiring poet named Bud Fiske.

In his peculiar corner of pop culture, Hector’s also known as “the man who lives what he writes and writes what he lives.”

He’s the protagonist of a finite arc of the ten novels I referenced a moment ago. The last, Three Chords & The Truth, will appear this November courtesy of Dublin-based Betimes Books, who hosts our gathering this evening along this la frontera of the mind.

The novel to come this fall is a kind of sequel to Head Games, which is the first and mostly widely published Hector Lassiter novel, and one that will also appear as a graphic novel next fall. Head Games is the book I’ll be reading from tonight.

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With border tensions, Donald Trump and his hugebeautiful wallsuch a great wall—as well as all-too real, cross-border terrorism fears looming large back home, Head Games is arguably more timely than ever.

So here’s the thing: If any label best describes the Hector Lassiter series, it’s probably “Historical Thrillers.” My novels, or maybe Hector’s, always combine myth and history.

The Lassiter novels spin around secret histories and unexplored or underexplored aspects of real events. They’re set in real places. The also frequently incorporate real people.

As a career journalist—yes, I still toil in that uncertain trade, despite my swanky secret life as a published novelist—I’m often frustrated by the impossibility to definitively nail down people or events. 

Read five biographies of the same man, say, of Ernest Hemingway, or Orson Welles, and you’ll close each book feeling like you’ve read about five different people.

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So I’ve reluctantly concluded defining fact as it relates to history is like stroking smoke or tapping a bullet in flight.

History, it’s been said, is a lie agreed to.

But maybe in fiction we can find if not fact, something bordering on truth. With that possibility in mind, I explore what I can make of accepted history through the eyes of this man.

The “hero” of my series, your guide through my books, is Hector Mason Lassiter, a shades-of-grey man who’s a charmer, a rogue, a bit of a rake—a handsome rover, if you will—and, himself, a crime novelist.

Some others in the novels say he bears a strong resemblance to the actor William Holden. Hector smokes and drinks and eats red meat. He favors sports jackets, open collar shirts and Chevrolets. He lives his life on a large canvas. He’s wily, but often impulsive. He’s honorable, but mercurial.

He often doesn’t understand his own drives. That is to say, he’s a man. He’s a man’s man and a lady’s man. He’s a romantic, but mostly unlucky in love. Yet his life’s largely shaped by the women who pass through it.

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Hec was born in Galveston, Texas on January 1, 1900. He came in with the 20th Century, and it was my aim his arc of novels span that century—essentially, through each successive novel, giving us a kind of under-history or secret-history of the 20th Century.

Tall and wise beyond his years, as a boy Hector lied about his age and enlisted in the Army. He accompanied Black Jack Pershingand participated in the general’s abortive hunt down into Mexico to chase the Mexican Revolutionary Pancho Villa who attacked and murdered many American civilians in the town of Columbus, New Mexico.

Villa’s was the first and only successful terrorist assault on the United States homeland prior to the events of September 11, 2001.

Much of that part of Hector’s life figures into Head Games: You’ll catch some glimpses in the reading to follow.

Head Games originally was published in 2007.

Its follow-up in original publication sequence, Toros & Torsos, opens in 1935 and features Ernest Hemingway as a kind of sidekick. Subsequent books about Hector similarly hopscotched back-and-forth through the decades upon original publication.

The current Betimes Books releases of the Hector Lassiter series present the novels in roughly chronological order—at least in terms of when each story opens.

IMG_3573Call me audacious, or call me crazy: The Lassiter novels were written back-to-back and the series mostly shaped and in place before Head Games was officially published. Let me run a highlighter over that point: this series was largely written before the first novel was even contracted for publication.

It’s very unusual in that sense: a series of discrete novels tightly linked and that taken together stand as a single, larger story.

My approach as a writer has always been to try and describe the movie I’m seeing in my head.

Tonight’s film is a kind of mash-up of Sam Peckinpaugh, Quentin Tarantino, and if you believe several book reviewers, the Cohen Brothers.

So. Welcome to the world of Hector Lassiter.

IMG_2832It’s 1957, and we’re in a bottom-rung cantina in Ciudad Juarez—these days regarded as the murder capital of the world. We’re in this cantina with Hector and Bud. 

From somewhere, there’s a tune playing on piano or accordion. Some piece of Mexican music… Maybe it’s Volver, Volver, or maybe Cancion de Mixteca

A fight’s looming, and to coin a phrase, this is no personal brawl—anyone can join in.”

Craig McDonald, Dublin, Ireland, August 3rd, 2016

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P.S. WE STILL HAVE A FEW COPIES OF CRAIG McDONALD’S BOOKS SIGNED BY THE AUTHOR!

DON’T MISS YOUR CHANCE TO PURCHASE ONE! CONTACT US

 

Kindle promotion in Australia for TOROS & TORSOS

March 24, 2016

BetimesBooksNow

Kindle edition for only 99 cents!

 

3 TOROSx2700“Nothing short of a surrealistic masterwork.”  —Chicago Tribune

“McDonald’s imaginative tale takes an enjoyably different approach to art and murder.” —Publishers Weekly

“In his lush, sprawling novel Craig McDonald draws together both the timeliest markers of mid-century America—modernism, surrealism, film noir, pulp fiction, communism—and the eternal touchstones of classic crime literature—desire, chaos, obsession and loss. It is a bold, bloody landscape, but McDonald never lets its scale become so big that we lose sight of the lively characters at its dark center. Wily and wistful Hector Lassiter, a complicated, rueful and haunted Ernest Hemingway and dozens more draw us close to their chests, anchor us, win our favor and, in the end, break our hearts.”  —Megan Abbot

HEAD GAMES features in Amazon Australia’s Winter Sale

July 23, 2015

BetimesBooksNow

After the big success of the first five Hector Lassiter novels, Australian fans of the series can discover the now-cult  Edgar® Award finalist HEAD GAMES — for only AUS $0.99:

http://www.amazon.com.au/Head-Games-Hector-Lassiter-novel-ebook/dp/B00SFQEQ92/ref=sr_1_6?s=digital-text&ie=UTF8&qid=1437602800&sr=1-6

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Read Craig McDonald’s blog post to learn more about the novel and the series:

http://craigmcdonaldbooks.blogspot.ie/2015/07/head-games-hello-again-australia.html

Some like to listen dangerously…

June 15, 2015

BetimesBooksNow

 

One True Sentence   Toros&Torsos    headgames audiobooks  Print the legend

 

 

 

 

 

 

 

 

Readergal from Booklist about the voice of Hector Lassiter:

Lust for Listening

Readergal has quite a few invisible boyfriends who talk to her. She has complete control over when they speak and what they talk about. And she has one for almost every mood. These may sound like imaginary men, but they are not. They are Readergal’s favorite male narrators, and each holds a special place in her heart and ears.

Sometimes Readergal likes to listen dangerously. That’s when she calls up Tom Stechschulte, the voice of noir bad boy Hector Lassiter. Hector is a pulp crime writer who “lives what he writes and writes what he lives.” Stechschulte gives Hector a brash and confident, if world-weary, tone, a little rough around the edges. Then he slips into the smoky, gentle voice of a closet romantic guarding the softest spots of his heart. When Readergal wants to be the femme fatale, she cues up One True Sentence, in which swoon-worthy Hector suspects both of the women he’s sleeping with of serially murdering ex-pat literary critics in Jazz Age Paris. Stechschulte’s deft mix of tough ’n’ tender tones conjures up images of Humphrey Bogart.

 

Click on the cover image of each book for more information

Craig McDonald: “Why I write: One true sentence.”

April 10, 2015

BetimesBooksNow

Why I Write

A while back, the wonderful Jen Forbus was collecting six-word memoirs from various crime and thriller writers.

The exercise was inspired, she wrote, by the line attributed to Ernest Hemingway (a frequent supporting character in my Hector Lassiter novels) that resulted from a challenge to craft an über short story. The result, legend has it, was pitched as a kind of classified ad by Hem: “For sale, one pair of baby shoes, never used.”

In my Lassiter novels, Hemingway and fellow novelist Hector play a game called “One True Sentence.” One of the authors starts a sentence, and the other tries to finish it in the most pithy way possible.

So, in the spirit of One True Sentence, and of the six-word memoir, this is the answer I gave Ms. Forbus about why I write, and, in the end, who I am:

Born to write; writing to live.

Craig McDonald is the author of the Hector Lassiter series and more: www.craigmcdonaldbooks.com

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Join the Hector Lassiter competition before March 15!

March 3, 2015

BetimesBooksNow

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Congratulations to the first ‪winners‬ of our Hector Lassiter competition‬, Larry S. of Owensboro, KY & Tom W. of Bridgeport, CT!

Don’t miss YOUR chance to win two Craig McDonald’s novels of your choice and join before MARCH 15!

Details here: The Hector Lassiter Competition

The Hector Lassiter competition: Day 7

March 2, 2015

BetimesBooksNow

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Tell us which novel is this and win two Hector Lassiter e-books of your choice if you are one of the first three people to give the correct answer:

The clerk shrugged and slid across a ten-dollar bill at the old man who scooped it up.

Fragments of brick rained down on me. But my friends were safe. I crouched down behind some boxes filled with something I prayed was thick and hard. I aimed the first shooter’s discarded Thompson and fired back at the other machine gun’s muzzle flash. I held my thrumming machine gun with one hand.

It was murder on my right wrist. With the other bandaged hand, I fished out the keys to my Chevy and lobbed them over my shoulder at Bud — all that twisting and exertion was almost too much for my Orson Welles’-splintered ribs. I hollered over the din of the roaring machine gun, “You two go get to my car, and pick me up at the end of the alley. While you do that, I’ll keep this bastard busy.” Then I remembered fabled Fierro, and said, “Bud, you see any old Mexicans, you shoot ’em. Don’t hesitate. God’ll sort’em out on the other end. No shit — shoot first.”

Email your answer to betimesbooks@gmail.com

The Hector Lassiter Competition: Day 6

March 1, 2015

BetimesBooksNow

Lassiter 7 covers-page-001

Tell us which novel is this and win two Hector Lassiter e-books of your choice if you are one of the first three people to give the correct answer:

Hector sipped more of his wine. He said, “Progress?”

“Yes,” Gertrude said. “What have my mystifiers learned since last night?”

As if suddenly reminded about the body that had been sprawled there, Alice, carrying more glasses of wine for Ford and Joan Pyle, awkwardly stepped wide around that part of the floor.

Looking rather annoyed by tiny Alice’s stutter-step, Ger­trude said, “What have you gathered or learned since Estelle’s theory about poisoning has been borne out?”

Email your answer to betimesbooks@gmail.com

The Hector Lassiter competition: Day 5

February 28, 2015

BetimesBooksNow

Lassiter 7 covers-page-001

Which novel is this? Win two Hector Lassiter e-books of your choice if you are one of the first three people to give the correct answer!

Let’s drop that pretense,” she said, her hands clasping the back of his neck, urging his face down to her waiting mouth.

They’d kicked off the sheets and chenille bedspread — far too sweltering for those. The oscillating fans were no real help, either. Hector had left the venetian blinds cracked and bars of inky shadows criss-crossed his bed. The darkened room reeked of sweat and sex.

Hector didn’t know if it was the absinthe and the other liquor, the threat of the storm, or just Rachel’s own nature, but she was utterly abandoned — completely giving herself over to him.

Email your answer to betimesbooks@gmail.com

The Hector Lassiter Competition: Day 4

February 27, 2015

BetimesBooksNow

Lassiter 7 covers-page-001

Tell us which novel is this and win two Hector Lassiter e-books of your choice if you are one of the first three people to give the correct answer:

“Old man, I do so appreciate you playing bodyguard to me,” Orson said. “I truly do. But I am racing the clock on multiple fronts as I’ve said, time and again. I have Danton’s Death to mount for the stage, as I’ve also told you, and this Sunday’s radio show, which as you heard for yourself, has all the earmarks of a train wreck barring some serious attention and artistic elbow grease.”

“It wasn’t that bad,” Hector said. “And I won’t be under­foot, if that’s what you’re implying. I frankly don’t trust your memory about the medallion, so I want permission to ransack backstage, to comb through your wardrobe trunks and lockers.”

“Ransack away, but do it as neatly as you can,” Orson said. “John is very fussy. I’ll even let you start with my private dress­ing room. It’s packed with the surviving detritus of the career running all the way back to that first show in Dublin. But it’s a fruitless pursuit, I can already assure you of that.”

Email your answer to betimesbooks@gmail.com

 

The Hector Lassiter competition: Day 2

February 25, 2015

BetimesBooksNow

Lassiter 7 covers-page-001

Tell us which novel is this and win two Hector Lassiter e-books of your choice if you are one of the first three people to give the correct answer:

“The kind of woman a man would burn his life down for,” Hector said, “I know.” Hector specialized in writing such women.

“That’s it, exactly,” von Sternberg said. He appropriated Hector’s second coffee as the waiter sat it on the table. He said to the waiter, “I’ll need cream and sugar for this, too.”

“And a second black coffee,” Hector said, eyeing his stolen java.

“It would be easier, marginally easier, I think, if we weren’t filming in German and in English,” von Sternberg said.

Email your answer to betimesbooks@gmail.com

The Hector Lassiter competition: Day 1

February 24, 2015

BetimesBooksNow

Lassiter 7 covers-page-001

Tell us which novel is this and win two Hector Lassiter e-books of your choice if you are one of the first three people to give the correct answer:

The clerk shrugged and slid across a ten-dollar bill at the old man who scooped it up.

The old man frowned. “Oh, must have miscounted.” He put down another dollar bill and said, “Here’s one more dollar for ten. So we don’t get confused, you’ve got ten there on the counter. Here’s another two fives. How about you just give me my original twenty back and we’ll call it even?”

The clerk smiled. “Sure.” He passed the old man a twenty-dollar bill.

The old man accepted the twenty. Behind his back, the old man held a ten-dollar bill between his fingers, waving it at the woman behind him. He felt the bill tugged from his fingers. Heard a whispered, “God bless you, sir.”

The old man smiled at the clerk, struck a match on the counter and lit a cigar. He blew a smoke ring at the man and said, “Pleasure doin’ business with you, old pal.”

The old man waited just long enough to confirm the woman’s ticket purchase for her child was consummated. When the transaction was closed, the old man smiled and stepped out onto the dock and into the ragged line to board the ship. He figured he’d be safely in dock on the other side before the clerk realized the shortage in his bill tray.

Email your answer to betimesbooks@gmail.com

“Giving voice and face to character: The Lassiter audio books” by Craig McDonald

December 1, 2014

BetimesBooksNow

Craig McDonald on new covers for The Hector Lassiter audio books, recorded by Recorded Books.

Read the article here: http://craigmcdonaldbooks.blogspot.ie/2014/12/giving-voice-and-face-to-character.html

One True Sentence  Toros&Torsos

headgames audiobooks Print the legend

Craig McDonald: Cover me #2 – Toros & Torsos

November 20, 2014

BetimesBooksNow

“Covers can make or break a book. The fact is, we do judge books by their covers. This is the second in a series of posts examining the strategies, concepts and creative process behind the repackaging of the Hector Lassiter series into bestselling, uniform editions for Betimes Books.” – Craig McDonald

Read more: http://craigmcdonaldbooks.blogspot.ie/2014/11/cover-me-2-toros-torsos.html

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The Hector Lassiter series #1 Kindle bestseller in Australia!

November 17, 2014

BetimesBooksNow

During a Kindle Daily Deal promotion, all five published Hector Lassiter novels on the Movers & Shakers page:

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And after the promotion ended, at full price — before “Gone Girl” and the new Michael Connelly novel!

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Craig McDonald about his participation in the Iowa City Book Festival

October 6, 2014

BetimesBooksNow

http://craigmcdonaldbooks.blogspot.ie/2014/10/the-iowa-city-book-festival-remembrance.htmlimage

Craig McDonald at Iowa City Book Festival!

October 3, 2014

BetimesBooksNow

Craig McDonald’s books next to James Ellroy’s at their joint signing at Iowa City Book Festival last night.

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