Posts tagged ‘Rembrandt’
October 27, 2016
When New York art dealer Elizabeth Martel’s mother falls ill, she returns to her hometown in the Midwest. After her mother’s death she is seriously short of funds, and a friend suggests she take a job as art adviser to billionaire grain merchant, Preston Greylander.
When Greylander is killed in a mysterious murder-suicide, Martel is left in possession of a Rembrandt that needs restoration. She takes the painting to Amsterdam where she deposits it with the prestigious firm of Van der Saar Fine Arts.
The Van der Saar family has been in the art business since the seventeenth century and the current generation is represented by two brothers: Hendrik, suave and charismatic, is the perfect front man, while the deceptively low key Willem is a master of restoration. Hendrik and Martel enthusiastically resume an old love affair, and she discovers that the brothers’ personal lives are in chaos, and the family is haunted by guilt and swathed in deception.
As doubts arise about the authenticity of the Rembrandt, other actors arrive in Amsterdam determined to recover the picture.
August 18, 2016
“On the day of the big event I walked through the hours until seven like I was living in zombie land. I started dressing around five, making sure I wore a disposable polyester dress that wouldn’t leave any fibers scattered around the murder site. It was a plain black number purchased at Walmart for fifteen dollars and it didn’t look half bad when I got it on. I brushed out my hair and then sprayed it stiff and put it up in a tight French twist. The effect was très Catherine Deneuve, and I prayed no incriminating hair would get loose from the tightly coiled hair style. On my feet I wore flat shoes similar to the ones seen on Madame Sarkozy, but mine were not for the purpose of making a tiny politician seem slightly less miniscule; mine were for running away from a crime scene.
I prepared myself well, no perfume, no lipstick, no jewelry. When I looked in the mirror I was pleased with my image, and decided I would conduct myself as though I was in a French movie, a noir thriller starring Catherine Deneuve where she played a snaky bitch out to kill her double-crossing ex.
By the time I got to Terry’s I was well into my Deneuve persona, it was just as well; I probably couldn’t go on with the murder unless I was pretending to be someone else. The front door was unlocked and I walked down the hall to the sitting room. Terry was at the bar, drinking a shot of vodka. He looked fine and healthy, and when I kissed his cheek he smelled fresh.
‘I guess this is it, isn’t it, Martel?’
‘I guess,’ I said, pouring myself a shot.
‘What is it the Irish say?’
‘I think they say see you on the other side.’
‘Yes,’ he raised his glass and we clinked, ‘see you on the other side, Elizabeth.’ He used my first name, it sounded strange, but it also sounded correct in this solemn moment.
Just then the doorbell rang and we both knew it was Preston. I gave Terry another kiss, a final kiss, and ran out of the room to answer the door.”
“Patricia Ketola’s clever and sexy debut novel is an audacious genre mash-up, elevated and enlivened by the salty, up-from-the-heels voice of narrator Elizabeth Martel, a sort of lusty spin on Patricia Highsmith’s magnetic sociopath Tom Ripley. Dirty Pictures heralds the arrival of a clever, gutsy new voice that fearlessly swings for the fences.”
Craig McDonald, Edgar-Anthony Award Finalist