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Posts tagged ‘Penthouse F’

Interview with Richard Kalich in AM FM Magazine

March 3, 2016

BetimesBooksNow

“High Art can of course be found in all the disciplines, music, painting, all creative writing, film, etc.  For me…all that I define as High Art has but one categorical imperative.  It makes as its inherent demand and calling that we, as humans, stand before it and surrender ourselves wholly and completely to it.  It doesn’t happen often, but when it does:  That’s Art.”   –Richard Kalich

Full text here: On the Fecundity of the Unconsciousness as Inspiration

Review of Richard Kalich’s Penthouse F

March 7, 2015

BetimesBooksNow

Colin O’Sullivan about PENTHOUSE-F by Richard Kalich

Colin O' Sullivan

– So we are going to do this like a courtroom drama, or an interrogation?

– Yes. We are. We are indeed.

– Why?

– Because most of the book is done in that style.

–  I see. Was the book impressive?

– Yes, very impressive. Mr. Kalich is a great writer.

– And he appears in the book too?

– Yes, if it really is him, if you know what I mean…you can call the book postmodern, or that he uses meta-narratives or…

– That all sounds a bit confusing.

– In theory yes, but it’s a very entertaining book. Says a lot about writing. And the creative process. It’s playful, but not flippant. We’re dealing with a serious artist here.

– Oh, really?

– “He’s an idiot. So disconnected . . . conflicted . . . torn apart.”

– What?

– Just joking. That’s actually a quote from the book. He often sidesteps you like that. Reminds you of…

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Richard Kalich’s interview on Books Go Social

January 15, 2015

BetimesBooksNow

“I’m not completely nihilistic. I believe that as long as we can still ask questions about the meaning of it all, there’s hope for an authentic life.”

Richard Kalich in conversation with Lucy Sweeny Byrne on Books Go Social http://buff.ly/1Abb7VC

RK on his terrace with view-page-001

“CENTRAL PARK WEST TRILOGY is not your average novel.”

January 1, 2015

BetimesBooksNow

“…wrought with dark humour and a multitude of literary, philosophical and psychological references. The trilogy is an essential read for anyone who enjoys a challenge: predictable neither in content nor in form, CENTRAL PARK WEST TRILOGY is not your average novel.”

Full review here: http://www.palatinate.org.uk/?p=52129

Richard Kalich’s book is on promotion in the UK and Australia. Don’t miss it!
getBook.at/CentralParkWest

Richard Kalich: “I see the world metaphorically.”

December 23, 2014

BetimesBooksNow

Richard Kalich in conversation with Lucy Sweeney Byrne

It is clear, when talking to Richard Kalich today, that he is a novelist whom, once you hear of him, you wonder to yourself how you haven’t heard his name before. He is not a writer one would describe as prolific. He has endured writer’s block and the terror of creative writing for a sustaining portion of his life. As he says, he’s read too much and knows all too well the standards his work will be held up against. A daunting task, he says, when your first literary Gods were no less than Dostoyevsky and Thomas Mann. This understandably has held his output down. Having said that, the works he has produced over the years, have been of exceptional quality, as is reflected in the recognition he has received from the academic and literary elite. Kalich has won The American Book Award and has been nominated for both a National Book Award and The Pulitzer, and his writing, in its daring experimentalism, surreal absurdism, and especially because of the dark demonic depths he has mined of the human interior, has been favourably compared to writers such as Kafka and Beckett. Needless to say, this is no lightweight author we’re dealing with.

I talk to Richard (he prefers to be called Dick), and almost immediately I grasp that he’s exactly what you would expect when one thinks a New York literary writer, an avant-garde post-modern novelist—and then some. Kalich is opinionated, quick-witted, funny, and simply brimming over with all of the things he has to say about the spiritual impoverishment of our contemporary age. We discuss, among other meandering subjects, the death of the word, the loss of Transcendence, the diminishment of the Self, artistic inspiration, films and musicals, and, of course, the release of his current most recent publication, Central Park West Trilogy (2014), a collection of three of his critically-acclaimed novels; The Nihilesthete (1987), Charlie P (2005) and Penthouse F (2010).

 

LSB: The first question I pose to Kalich, is an attempt to create a tidy summary of his writing (silly me). I say that his novels (there are four in all – added to those collected in the Trilogy is The Zoo, published in 2001) have been described by critics as ‘postmodern fables’, suggesting, by definition, that they are designed to convey a particular moral. Does he consider this a fair conception of his work? And if so, what is the moral message he is attempting to convey?

RK: No, I don’t think it’s correct to define my writing as fables. There are themes, yes, but I’m not trying to offer some categorical cure-it-all to the problematic situation of Man. I’m neither theologian nor a politician. My concern in my first novel, The Zoo, was loss of inner life. After long years of writer’s block, the novel just exploded out of me. Thirty days. All too quickly to really do it justice. With my second novel, The Nihilesthete, I was taken by the spiritual diminishment and the all-pervasive powerlessness that I felt was taking over our culture which in turn prevented and inverted my lead character’s full expression. Such is the motive-force behind the almost banal, cerebralized cruelties he harbours upon his arch-enemy, the artist, Brodski. The artist, of course, representing spiritual fecundity. The novels themselves are metaphorical. I see the world metaphorically. The first thing that happens, is that I see an image in my mind. This image is the epicentre of what I build my narrative around. It provides the beginning, middle and end for my story. The image just comes to me. It’s a sort of poetic gift. I’m told some Poets see the world like this. For example, with The Nihilesthete I saw a limbless being strapped to a wheelchair, a prosthesis attached to his arm stub which served as a hand, struggling to paint on a canvas held just out of his reach by an ominous male figure. The image gestated in me for a long time, five years, before I finally found the courage to write the book.

LSB: Why is that?

RK: Fear. Dread. The Terror of Creation. More specifically, for me it’s always been the fear of judgement. Dostoevsky or nothing. I carried that burden with me the better part of my entire adult life.

LSB: But why so hard on yourself? You never outgrew it?

Read the full interview here: Kalich interview full text

 

Richard Kalich’s Central Park West Trilogy, including The Nihilesthete, Penthouse F and Charlie P, is available for purchase here: getBook.at/CentralParkWest (currently on promotion on Amazon UK and Amazon Australia)

A new review of Central Park West Trilogy!

October 14, 2014

BetimesBooksNow

“Looking at the collection as a whole, Central Park West Trilogy is a stimulating glimpse into Kalich’s unusual approach to his art and his craft, as well as his unique approach to the absurdities of life. I think Albert Camus would have approved.” — Lee Harrison

Point Blank

Sometime in the ’90s I acquired a strange little book called The Nihilesthete by Richard Kalich:

Not only was the cover artwork strange, but the format of the book was peculiar, being of unusually small dimensions and filled with 143 pages of tiny print on cheap paper. This was an edition published by Compac Reader Group and could be found at check-out stands of various stores, alongside gum, Slim Jims and the Weekly World News. The publishing outfit had other titles too, each small enough to fit in a shirt pocket. I don’t know if they are still around or not, but it’s been years since I’ve seen that sort of format. I don’t think that was the edition in which The Nihilesthete was originally published, but that’s the one I have.

Anyway, I didn’t read The Nihilesthete for many years and it was only when I re-discovered it…

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How to fail (at) fiction and influence everybody: review of one of the novels from Central Park West Trilogy

September 6, 2014

BetimesBooksNow

“This is a book that will throw you back into an energetic relationship with the process of reading fiction”. –Christopher Leise about Richard Kalich

Read more: http://www.electronicbookreview.com/thread/fictionspresent/moist

 

KalichCOVER CPWx2700

Review of PENTHOUSE F (CENTRAL PARK WEST TRILOGY)

September 4, 2014

BetimesBooksNow

About one of the novels in CENTRAL PARK WEST TRILOGY: “An important book that dismantles the reader, leaving you in fragmented bits and pieces like the barbed clips that make up the novel’s structure.”

Read more: http://www.3ammagazine.com/3am/watcher-manipulator/