I don’t have a method but… and it’s a big ‘but’… I can speak of a pattern that has repeated itself with all four of my novels. And the same will be true with my next. I see my novels metaphorically. By that I mean an image comes to me… and that image, that poetic metaphoric image, contains all I need to know about the fiction to follow. The image is always (to me) more than just an image. Not only does it give me the beginning, middle and end of the narrative, but it also suggests a fundamental elemental universal of our world. I don’t mean to suggest the demonic/divine illumination of the 18th or 19th century novelists, nor do I want to glorify or romanticize the artistic process, but this is what I’ve experienced as a Writer.
If pressed, I would say this metaphoric image is a gift; some poets have it, I’m told. Where it comes from… who knows? I call it… the fecundity of the unconscious.
My particular unconscious showing me the way: Before words or thought or deliberation or calculation that which lies deepest inside me articulates itself with this image. Once it appears I allow it – or it allows me – to form, shape, edit and refine itself over a gestation period that can last two to twenty years. The image never leaves me. And though as a Writer and person I evolve and change, recreate myself and the forms I might make use of as a novelist, the first image, the central image… stays the same. I’ll give you an example. The day I finished my novel The Nihilesthete an image came to me of a man hovering over a surveillance camera while hiding in his closet, spying on a boy and girl. It only took me twenty-plus years to find the courage to write that novel now titled Penthouse F.
Richard Kalich is the author of CENTRAL PARK WEST TRILOGY, including The Nihilesthete, Charlie P, and Penthouse F.
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