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Donald Finnaeus Mayo about journalism, modern history and inspiration (Interview, Part I)

June 20, 2018

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Kelly O’Brien: Both of your novels, Francesca and The Insider’s Guide to Betrayal are set in the 1970s and 1980s, is this period of time significant to you? What interests you in the writing of historical fiction?

Donald Finnaeus Mayo: Most decades have something interesting to offer, and if you have lived through them your recollections will obviously be coloured by your own experiences. Though to hear the 1970s and 1980s described as historical fiction makes me feel very old! I tend to be drawn to subjects or events as opposed to specific decades, but I also think you sometimes need a bit of time to elapse before you can gain a proper perspective of an era. If you’re too close to an event you can end up writing reportage rather than fiction. I remember a slew of novels about 9/11 came out a few years after the twin towers came down, and people didn’t seem ready for them. They had already digested all the documentary coverage they could take, and it begged the question as to what fiction could add. It takes me a long time to percolate ideas and work out what I really think. Possibly there’s an element of nostalgia to it as well. In writing about an era I get the chance to immerse myself back in it; what music people were listening to, what was happening in the world, what they were wearing, what they feared and where their hopes lay, recreating that world for people who weren’t there or may have forgotten what it was like. Right now I’m writing a novel about the impact of the 2008 financial crash on a small town in the American South.

KOB: Francesca follows the story of a young woman in East Timor during the Indonesian invasion of 1975, a moment of history that is potentially not very well-known, is this what inspired you to tell Francesca’s story?

DFM: It was more personal than that. My father worked in the oil business, and I spent a number of years as a child living in Indonesian Borneo. This period coincided with the invasion of East Timor, which ended up costing the lives of almost a third of that country’s population. Cocooned in our expat bubble, we were completely oblivious to what was happening. That was deliberate – journalists, human rights activists and anyone else who might cause trouble were kept well away from the place by the Indonesian government. With no social media, mobile phones or internet, it was possible for a military dictatorship to effectively shut a region off from the outside world in a way that seems inconceivable today. Western powers such as the United States and Australia, who did know what was going on despite what they may have said publicly to the contrary, were happy to sit by and let Suharto’s troops embark upon this genocide because he represented a bulwark against communism, which they were terrified of spreading throughout South East Asia. Saigon had only recently fallen, and there were worries revolutions could be sparked off through Laos, Cambodia, Thailand and beyond. So poor old East Timor, who had never threatened anyone, was forgotten and left to suffer. It was only many years later, when I was working as a volunteer for Amnesty International in London, that I started coming across all these cases of human rights abuses from the region. When I examined them more closely, I was shocked to discover this mass murder had been taking place just a few hundred miles from our tennis courts and swimming pools. No one talked about it, no one wanted to upset the cosy relationship between the Suharto regime and the western oil companies. The genesis of the novel lay in the idea of what would happen if these parallel worlds jumped off their rails and collided.

KOB: You have worked previously as a radio journalist for the BBC. Do you bring any of your journalistic skills or knowledge to your fiction writing?

DFM: I’ve always been interested in politics, and in newsrooms you’re surrounded by people who live and breathe it, so you get some great conversations going with bright, witty, well-informed people. They are fairly cynical environments, and there’s a lot of cut-and-thrust between the reporters, peppered with a fair amount of black humour. It’s no place for shrinking violets. Journalism taught me discipline when it came to writing. You need to check your facts, and you need to get your point across quickly. A radio news story might be less than 100 words, so you have to make sure each one counts. On the other hand, it can be quite restrictive in what is deemed important and worthy of coverage. What’s not reported is often as significant as what is. You can end up thinking the entire human experience amounts to plane crashes, political clashes, sport and celebrity intrigue. Journalism is also very workaday and practical. There isn’t any of the mystique of the tortured writer struggling to come to grips with the essence of life as there is with fiction. Complain to a news editor you’re suffering from writer’s block and he or she will inform you the deadline’s less than an hour away and politely suggest you just get on with it. You learn very quickly to push through the barriers when the muse has taken the morning off. That helped me a lot when I was trying to juggle novel-writing with looking after young children.

KOB: You begin The Insider’s Guide to Betrayal with a quote by E.M. Forster. Was Forster a particular influence on the narrative of the novel?

DFM: Not especially, other than the quote, which came from one of Forster’s essays rather than his novels but seemed to sum up the essence of The Insider’s Guide to Betrayal. I read a lot of Forster as a teenager, but haven’t really returned to him much since they made all those Merchant Ivory films of his books. I suppose the main thing I have taken from Forster is his emphasis on creating three-dimensional characters, which is something I have always tried to do in my work. I don’t believe in goodies and baddies per se, even one of the most odious characters in Francesca, Benny Surikano, is partially redeemed by the love he has for his son. I suppose one of the most interesting things about Forster as a person is his struggle to live a double life as a gay man in an era when that could not only destroy your reputation and livelihood, but land you up in prison. You just need to think of what happened to Alan Turing to appreciate just how repressed certain aspects of people’s lives had to be for their very survival. Having made one of the most spectacular contributions to Britain’s effort to defeat the Nazis by cracking the Enigma code, he was subsequently hounded by the police for a gay indiscretion to the point where he committed suicide. How those forces played themselves out in Forster’s fiction is a matter of ongoing debate. I know some literary scholars get very irate when everything he wrote is viewed through this lens – others see it as the only way to understand him properly as an author.

   To be followed on Friday, June 22nd, 2018

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E-book rights to Donald F. Mayo’s novel “Francesca” licensed to Endeavour Press

July 18, 2016

BetimesBooksNow

We are pleased to announce a new e-book edition of FRANCESCA by Donald Finnaeus Mayo, now available from Endeavour Press, the UK’s leading independent digital publisher:

http://endeavourpress.com/books/francesca-donald-f-mayo/

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Our own trade paperback edition is also available here: viewBook.at/Francesca_DFMayo

Francesca


“Perhaps reading it prior to going to bed is not advisable as one might end up staying up rather later than one intends and arrive at work blurry eyed the next day.” —Establishment Post, Singapore

“A full-bodied tale of love and war set against the complex political and commercial landscape of Indonesia in the 70s. It’s a moving and sensitively written story that draws you in from the start.” —Amazon reader review


East Timor, 1975. Indonesian soldiers invade the village of Dili, raping and slaughtering.

A young girl named Francesca sees her parents and two brothers shot and her baby sister taken away.
She escapes, eventually discovered hiding under a pier by a man named Hasan. He has a boat and takes her to the city of Bandakan, hoping his boss, Benny Surikao can help the pretty young girl.

Interwoven in Francesca’s journey are a cast of vividly drawn characters.

Benny is an Indonesian man who facilitates things for the local Americans working in Indonesia for Constar, an oil exploration company. He gets Francesca a position in the home of Dennis Cole, who works for the company.

Amanda Cole, his seventeen-year-old daughter, has been asked not to return to her boarding school in England. She catches the eye of Rollo, Benny’s son, but is not interested in him. When they make a date she forgets about it, causing the young Indonesian much embarrassment when he shows up at her house.

But Amanda only has eyes for Eddie, an older Vietnam vet and helicopter pilot for Constar. They are in love, and this angers Rollo.

Benny’s nephew through marriage, Peter, falls for Francesca, who tells him about what happened to her the day the soldiers came to her village.

Life is starting to look better for everyone in the Reid household, when Eddie is attacked, and a series of events is put in motion that will have life-long consequences for everyone.

Set against a backdrop of endemic political corruption, moral compromise and the pursuit of oil, Francesca is a passionate story of one woman’s struggle against overwhelming odds to shape the country that nearly destroyed her.


Donald Finnaeus Mayo about writing FRANCESCA

March 8, 2016

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FRANCESCA: Genesis of an idea

FrancescaIt’s easy to forget just how different the world was back in the mid-1970s. No mobile phones, no internet, no Starbucks on every street corner. Easier, too, for dictators to keep a lid on their shenanigans. You could take out a town, empty a region of its population without any fear of pesky demonstrators posting evidence of your atrocities on YouTube for all to see.

So it’s hardly surprising the Indonesian invasion of East Timor passed me by, even though I was living in the region at the time, an expat teenager whose father worked in the oil business. The local media was strictly censored, whilst foreign correspondents who might have kicked up a fuss were for the most part unable to access the place. Besides, who was interested in what was going on in a backwater most people had never heard of?

It wasn’t until the early 1990s that I encountered East Timor again. Doing some volunteer work for Amnesty International in London, I kept coming across cases from the conflict. The more I looked into it, the more shocking it became. Worse, I realised I had been in Indonesia when this tiny country was gobbled up by its neighbour and large parts of its population annihilated.

War DiliSeveral hundred miles away our lives continued in their cocooned luxury, oblivious to what Suharto’s soldiers were doing. No one mentioned it, no one spoke out, no one did anything that might upset the cosy relationship between the Indonesian government and the western oil companies. Everyone was making money, and besides Indonesia was on our side, a bulwark against communism.

Discovering these parallel worlds inspired me to write Francesca. In particular, I was interested in people who straddled both, the ones with the fullest picture. As they created their own dramas, sorrows, joys, tragedies and triumphs, a novel was born.

— Donald Finnaeus Mayo, March 2016

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Readers’ praise

“A full-bodied tale of love and war set against the complex political and commercial landscape of Indonesia in the 70s. Its a moving and sensitively written story that draws you in from the start.”

“Francesca has all the ingredients of a great novel – a compelling and interesting story that engages you from the start, genuine characters with whom one can feel real sympathy and powerful descriptions that creates a real sense of atmosphere. If I have any criticism of the book it is that it could be longer – the character development is such that you’re left wanting to know what happened to them in more detail than there is in the book – but then maybe it’s always good to leave the reader wanting more. In any event, it’s a great story that will provide a powerful insight into a period of history that has only recently started to get the coverage it deserves.”

“The sense of location is sparkling. The tension is high. The author is an accomplished storyteller, with journalism experience, who captures the destruction of war in convincing detail. He demonstrates a beautiful way with language and a clever ear for dialogue.”

Timor jungle“Beautifully written, historically educational, sharp insights into human nature. Highly recommended as a Book Club read.”

 

“A fascinating story inter-weaving a cast of characters around one woman’s journey through life.”

 

Donald F. Mayo about Indonesian executions

May 2, 2015

BetimesBooksNow

“No one familiar with Indonesia’s history should be in the least surprised at the indifference its government displayed to world leaders and human rights activists pleading for the lives of the eight drug traffickers executed by firing squad earlier this week.

For all its exotic charm and hospitable people, there is a ruthless, vicious disregard for the sanctity of human life that runs through many of Indonesia’s institutions, in particular the army, who have kept its rulers in power for much of the modern state’s existence and remain a force to be reckoned with.

Two episodes in the country’s recent history stand out. The first are the purges of the mid 1960s, when gangs, supported by elements of the army, went on the rampage to eliminate undesirables ranging from communists, trades unionists, government officials and teachers to anyone suspected of leftist leanings, or simply someone the local gang warlord didn’t like the look of. By the time it ended, around half a million people had been slaughtered by these militias. The bloodbath, depicted in the recent Oscar nominated documentary “The Act of Killing”, attracted almost no attention from the outside world at the time.

The second episode, also largely ignored by the international community, was is the 1975 invasion by Indonesian forces of East Timor, which forms the jumping off point for my novel Francesca. This completely unprovoked annexation resulted in a quarter of a century of oppression before East Timor finally gained its independence in 2002, at an estimated cost of a third of the population.

Suharto may be gone, but with stuff like this in your country’s DNA, you’re not about to lose any sleep over machine-gunning a few coke dealers, however spurious the evidence against them or mitigating the circumstances.”

Continue reading here: Indonesian executions should have taken no one by surprise

Donald Finneaus Mayo is the author of FRANCESCA: http://viewbook.at/francesca

 

Kindle edition of GIFTS free this week!

December 17, 2014

BetimesBooksNow

Christmas is not always magic but good books always are.

Whether you love or hate Christmas, you might enjoy a good story.

Our collection GIFTS: NINE BITTERSWEET CHRISTMAS STORIES is free on Amazon this week: getBook.at/FREE_GIFTS

 

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GIFTS on www.BookDepository.com

December 11, 2014

BetimesBooksNow

A limited print edition of GIFTS is now also available here: http://www.bookdepository.com/Gifts-Betimes-Books/9780992967444

Free delivery worldwide!

 

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Excerpt from Gifts: Bittersweet Christmas Stories by Donald Finnaeus Mayo

December 1, 2014

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From “No Truce for Christmas” by Donald Finnaeus Mayo:

“She thought about how much easier it was to learn English if you’d grasped Portuguese first, about the badminton tournament in which she was currently a promising quarter finalist with a very good chance of going all the way, and, of course, about rehearsals for the Christmas Carol service which had the added attraction of involving boys from neighbouring St Michael’s. Then she allowed her thoughts to wander to Miguel; his long, sensuous fingers delicately wrapped around a pen as he wrestled with a mathematical problem.”

 

CHRISTMAS OFFER!

Read or download GIFTS for free here: http://bit.ly/1racUfN
Buy a collector edition here: http://viewbook.at/ChristmasGifts
Or get an e-book here: http://viewbook.at/ChristmasGiftsKindle

Mayo

War is over… not quite yet

September 12, 2014

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“You don’t write about the horrors of war. No. You write about a kid’s burnt socks lying in the road.” ―Richard Price
Read here an excerpt from FRANCESCA, when the heroine’s home town of Dili, capital of East Timor, was invaded by the Indonesian army:

Donald Finnaeus Mayo

You hear it everywhere as we approach this time of year – in the shopping malls, on the radio, the optimistic crooning from John and Yoko’s classic: “War is over, if you want it”. Seems like we don’t want it, or not enough anyway.

I don’t think there’s been a time in recorded history when someone, somewhere hasn’t been fighting, killing someone else. Some months ago the British Army thought 2015 might be the first year in a century when it wouldn’t be involved in a conflict somewhere. With events in Syria, Iraq and Iran unfolding as they are, that hope looks less likely by the day.

Iraqi Freedom Image courtesy of soldiersmediac

It’s easy to get war fatigue, to throw up one’s hands in despair and tune out of it all. For me, it’s the civilians caught up in war, especially the children, who haunt me most. Here’s an extract from…

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Indonesia remains true to form over French journalists in West Papua

August 12, 2014

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Why Mayo’s novel FRANCESCA is still relevant despite being set in 1970s

Donald Finnaeus Mayo

Unknown-4 West Papua, part of Indonesia, and the neighbouring independent Papua New Guinea

News that two French journalists have been arrested in West Papua should come as no surprise to anyone familiar with the way the Indonesian government traditionally deals with threats to its authority.

Thomas Dandois and Valentine Bourrat were arrested on August 6th, allegedly for working in the province without a proper journalist visa. The pair were shooting a documentary for the Franco-German TV channel Arte on the separatist Free Papua Movement (OPM), which has for years waged a low level insurgency campaign against the Indonesian government.

Since it gained its independence from the Dutch after World War II, and certainly since the Suharto regime came to power in the 1960s, Indonesia has traditionally taken a firm stance against any internal dissent. The most well known example occurred in East Timor in the 1970s; only it wasn’t so well…

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Travel with our books

August 7, 2014

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Travel to Ireland, Indonesia and Greece with our books KILLARNEY BLUES, FRANCESCA and THE LAST ISLAND featured on www.TripFiction.com TripFiction covers-page-001 (2)