December 16, 2014
It’s common practice for writers to cut their teeth on short stories. In many ways it’s understandable – take a wrong turn on a short story or give birth to a stillborn idea and you can start afresh with a minimum of time and effort down the drain. It’s not like reaching the 45,000 word point on a novel and realising you’ve hit an insurmountable wall. Little wonder shorts are seen as the novelist’s kindergarten.
There are two problems with this view. First, short stories are notoriously tricky to write. Far from being a canvass for the novice, they are the preserve of the master. There are a few to whom it comes naturally; for most it does not. It’s a world in which less is more, where every word is made to count and a single line brings a character or a…
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